迷失、模糊、感知的困惑——這些都是藝術(shù)家雷安德羅·埃利希作品所引發(fā)的感覺(jué)。藝術(shù)家從現(xiàn)實(shí)和表象彼此交融的假設(shè)出發(fā)，創(chuàng)造了諸多無(wú)明確邊界的場(chǎng)所。
Disorientation, ambiguity and perception of confusion of - these are the feelings evoked by the work of artist Leandro Ehrlich. Starting from the assumption that reality and appearances are intertwined with each other, the artist creates numerous places without clear boundaries.
在全民“居家不遠(yuǎn)游”的防疫期間，你還記得坐在飛機(jī)舷窗旁看到的藍(lán)天白云、萬(wàn)家燈火的景色嗎？游走在《試衣間》與《美發(fā)沙龍》之中，偶然地與其他觀眾四目相對(duì)之時(shí)，一個(gè)戲劇性的敘事橋段就在不知不覺(jué)中完成了。
Do you remember the view of blue sky and white clouds when you sat by the porthole of airplane? A dramatic narrative is accomplished when you wander through"Changing Rooms" and "Hair Salon" and meet other viewers by chance.
反射鏡像中的記者鹿筱悅。
鹿筱悅在《美發(fā)沙龍》作品中。
這個(gè)地鐵車廂場(chǎng)景，似曾相識(shí)？
這一刻，身未動(dòng)，心已遠(yuǎn)。